Author: Alberto Vazquez

In the NYC Vazquez Acting School you will study Meisner technique. Many American acting teachers inspired by Stanislavski broke off with Strasberg, believing his method was not an authentic adaptation of Stanislavski’s system. Sanford Meisner, another Group Theatre pioneer, believed the method was far too focused on the internal workings of the actor, and that acting should be “outside in” rather than “inside out”. His ideas came to be called the Meisner technique, and he… Continue Reading →

We study the Stanislavski approach at the NYC Vazquez Acting School. Stanislavski found faults with an experienced-based approach early on, noticing that users and abusers of techniques such as affective memory were prone to hysterics. For this and other reasons he shifted the focus of his system to rely upon imagination, which the actor can use to portray things they haven’t even experienced. This remains a fundamental distinction between the System and Strasberg’s method, and… Continue Reading →

In the NYC Vazquez Acting School we use the Strasberg method. Strasberg used the term “Method” to describe his philosophy of acting and his techniques of training actors, which built upon some of Stanislavski’s early ideas. Strasberg’s method is based upon the idea that in order to develop an emotional and cognitive understanding of their roles, actors should use their own experiences to identify personally with their characters. The method uses techniques to reproduce the… Continue Reading →